“México en tus sentidos”, una mirada crítica

sentidos2(Mex)El Zócalo de la ciudad, el sol y el calor a todo lo que da. Una gran fila compuesta con la gente más variada, mexicanos, turistas, extranjeros. El museo itinerante diseñado por el arquitecto Javier Sordo Madaleno, enorme y lleno. Después de esperar algunos minutos nos permiten la entrada, nos desinfectan las manos y, una vez dentro, nos reciben las miradas capturadas por el fotógrafo y director mexicano Willy Sousa. Son muros que te obligan a levantar la cara, por su tamaño. Se puede escuchar, ya desde la cuenta de los primeros pasos, una canción de corte prehispánico y se puede percibir olor a incienso. “México en tus sentidos”, se llama la exposición. La marea de gente avanza, viendo las fotografías de ultra alta definición, de lo último en formatos.

Hay, debemos decir, realmente fotografías fantásticas, que muestran una técnica brillante, colorida y por momentos mágica. Quedan escritos con luz e imagen, literalmente, ciertos oasis de México, que se conservan, que se permiten aparecer lejos de las ciudades y de las máquinas, lejos del ruido moderno. Son imágenes cotidianas, festivas, a las que nos acercamos como recién descubiertas. Sí, descubrimos de nuevo el día de todos los santos, la producción de tequila, nuestras playas, etc., diríamos, si somos rigurosos: re-descubrimos a México. Las imágenes se muestran con una nueva vida, con nuevos ojos ¿y qué sino eso, los nuevos ojos, es lo que nos permite la mirada del artista?

La exposición está motivada  por el festejo de centenarios en México, eso está dicho de sobra. Sin embargo, con la espléndida exposición, visitada diariamente por muchísimas personas, se corre el riesgo de olvidar que hay otro México que no aparece en las fotos y que se hace invisible cotidianamente, las ciudades, la pobreza y la desigualdad social son ignoradas por completo. Con esta propuesta, si bien colorida, se corre el riesgo de no generar autocrítica, de fomentar un neonacionalismo superficial, ciego a las necesidades más urgentes del país. Criticable también el final del video de 7 minutos que se proyecta al final de la visita, en el que decenas banderas rodean al espectador ycon el fin de asegurarle que lo acaba de ver es México, el México de las artesanías, mismas que podrán adquirir en la enorme tienda al final de la visita. El arte, sin embargo,  más allá de la ideología y el dinero que pueda traer —hagamos enfasis en la enorme tienda al final de la exposición—, puede abrirnos una mirada crítica si es explorado con cuidado.

La invitación al evento y a la crítica queda abierta, la exposición termina hasta el 24 de abril, la entrada es gratis.

RL

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