Brian Eno en México

brianeno(Mex)Brian Peter George St. John le Baptiste de la Salle Eno, Brian Eno ¿Quién es Eno? Es un prisma relleno de cristales que cambian con la luz y se agitan con cualquier onda de sonido. Brian Eno, uno de los nombres seminales de la producción sonora y la experimentación audiovisual británica en la última mitad de siglo se prepara para caminar suelos mexicanos y encontrarse con los que nunca lo han perdido, pero también con quienes recién lo encuentran.

La cita es doble: El padre de la musica ambiental y renovador de la instalación audiovisual (además de creador de la tonada de inicio de sesión de todos los sistemas Windows desde el 95) ofrecerá una conferencia magistral el próximo 23 de abril en el Teatro de la Ciudad (Donceles 36) a las 20:00 hrs.  A la mañana siguiente, la del 24 de abril, y hasta el 13 de junio, el Museo Diego Rivera Anahuacalli (En Coyoacán) acogerá la instalación más reciente de Eno: 77 millones de pinturas.

 Sus 77 millones, inscritas dentro del género popularizado como paisaje sonoro pero llamadas por Eno música visual y arte generativo, constan de 360 imágenes abstractas proyectadas una y otra vez en series y combinaciones diferentes. En efecto, al final son 77 millones de pinturas que se despliegan al compás de una mezcla de música ambient milimétricamente calculada

¿A qué se refiere con generativo? A la posibilidad de integrar software y algoritmos computacionales a las disciplinas creativas, no sólo como herramienta durante la gestación sino como parte integral, incluso como núcleo de la estructura misma de la obra final: “Generativo es el arte que se crea a si mismo al momento de ser percibido”, explica. Una auténtica propuesta de cara a los defensores de la obra acabada y la contemplación pasiva.

Tanto Brian Eno como sus 77 millones de pinturas han recorrido ya foros como la Bienal de Venecia, la Casa de la Ópera de Sidney, Emiratos Árabes Unidos y Japón, entre otros, pero nunca es igual: De manera personal, el británico revisa las condiciones de instalación, espacio y tiempos para hacer las modificaciones que considere pertinentes y más adecuadas para la recepción pública de su trabajo. Así, a su manera, cada nuevo montaje de su paisaje es un nuevo paisaje que apunta hacia el mismo propósito: “Crear una experiencia tan seductora que, al tiempo que se percibe, empuja a preguntarse como ha surgido”.

Brian Eno lleva varias décadas pasando a la historia del sonido y la experimentación creativa. Seguramente su cara más conocida es como productor musical, padrino y autor intelectual de varias agrupaciones y nombres míticos de la industria anglosajona como U2, Coldplay, Genesis, Talking Heads, David Bowie, King Crimson ó el ex Velvet Underground, John Cale, a veces como miembro invisible de las bandas, otras como consejero, mezclador de sonido ó productor de albums inmediatamente consagrados como The Joshua Tree, Achtung Baby (U2) ó Fear of Music y Remain in Light (Talking Heads).

Es también el nombre más recurrente al hablar de música ambiental, no-rítmica ó de vanguardia, géneros dentro de los que alumbró discos fundamentales como Another Green World (1975) Ambient One: Music for Airports (1978), Music for Films (1978) ó Another Day on Earth (2005). Su placa más reciente es la banda sonora compuesta para el filme de Peter Jackson, Desde mi cielo (The Lovely Bones, 2009), aún en cartelera.

Una noche con Brian Eno es, por otra parte, el título de la conferencia magistral que impartirá en el Teatro de la Ciudad Esperanza Iris, donde además de presentar 77 millones de pinturas reflexionará sobre su trabajo frente a estudiantes, académicos, artistas visuales, sonoros, músicos, admiradores de su trabajo y público en general. Más información en las taquillas del recinto y al 53259000 (Ticketmaster). Visita regularmente Mil Mesetas para más información, comentarios y el seguimiento de la noticia.

RL

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