Carlos López Moctezuma, un entusiasta del haiku mexicano

600_haikus_FcoLopezM“Yo toda la vida escribo haikus”, declara Carlos López Moctezuma, como justificando la aparición de su más reciente volumen dedicado a aquella forma de composición poética de origen japonés, aquél soporte entendido como poesía mínima que intenta contener la sabiduría del mundo en apenas tres versos y diecisiete sílabas.

El libro en cuestión, 600 haikus: Agudezas en verso, ilustrado por Soid Pastrana y publicado por Editorial Otras Inquisiciones en su nueva colección Minucias, fue presentado ayer viernes 9 de septiembre en el marco del ciclo “Noctámbulos” del Centro Cultural Bella Época en donde contó con los comentarios del también poeta Eduardo Casar y el apoyo de la primera actriz Marta Zamora en la lectura de diversos fragmentos del libro.

Desde que el diplomático y poeta José Juan Tablada, amante irrestricto de la nación japonesa, introdujera el haiku en la lengua española, líricos hispanoamericanos se han declarado fervientes seguidores del formato.

Más allá de la falta de disciplina contemplativa de la naturaleza viva o el espíritu zen que envuelve a dicha manifestación artística, el haiku libre ha sido bien recibido por literatos de todo el mundo quienes ejercitan su inteligencia construyendo breves atisbos con gran potencia discursiva.

Eduardo Casar, eminente catedrático Universitario encargado de la escritura del prólogo al presente volumen, asegura que el haiku mexicano es una forma de venganza contra el tequila japonés, “como si fuera sushi con chiles toreados”.

Para el artífice del poemario Grandes maniobras en miniatura, el haiku resulta una “extraña compactación de sentido y sonido, y una imagen memorable” que para disfrutarla hay que dejarla reverberar en la mente por unos instantes. Sin embargo, fuera del archipiélago nipón se traduce como una manifestación genuina de la pulsión poética trasladada de forma poco restrictiva por lo creadores mexicanos.

Así, en seis centenares de ejemplos, Carlos López Moctezuma repasa su contemplación ante la vida y sus elementos. Presenta centenares de poemas que, en textos como “De todas las / máscaras que nos ocultan / el rostro es la última”, “Un sueño es sueño / solamente porque / es real”, o “Víctima del amor / la rosa yace entre / las hojas del libro”, exploran la profundidad del espíritu humano, se burlan de la dimensión controladora del hombre ante el mundo o se erigen dura crítica sobre el mutismo del hombre ante un horizonte violento y desolador.

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