Habitación del ruido en el CSJ

HabitacionRuido(Mex)Este 24 de febrero la Universidad del Claustro de Sor Juana abrió las puertas del auditorio Divino Narciso a la improvisación y el arte sonoro, con una presentación en vivo del colectivo de radioastas mexicanos RADIADOR; que previamente ofrecieron el seminario “Cinco ideas sobre la electroacústica orbitando en un mismo colectivo”, como parte del ciclo “La habitación del ruido”.

Así pues, Alberto Torres Cerro, Jaime Lobato Cardoso, Iván Esquinca, Fernando Lomelí Bravo y Mauro Herrera Machuca compartieron aquella tarde su experiencia en la experimentación sonora, la que practican desde 2008 como Colectivo Radiador (y antes con EscLab), con perspectivas técnicas y creativas que han resultado en varios proyectos de este tipo.

La improvisación que ellos ejecutan se lleva a cabo manejando instrumentos y procesos de audio programados, en su mayoría con SuperCollider, y sus objetivos tienen que ver con el desarrollo y difusión de proyectos que integren el uso de la tecnología de manera creativa, donde el sonido sea el protagonista y punto de cohesión con otras disciplinas e invite a una reflexión que promueva la experimentación. Algunos de sus trabajos se pueden escuchar en radiadorcolectivo.wordpress.com.

Poco después de entrada la noche Radiador se instaló en el escenario, enmarcado por un altar dorado con obras pictóricas, y tras superar algunos inconvenientes técnicos (planeaban una interacción en tiempo real con Guanajuato que lamentablemente no se pudo llevar a cabo) dieron una breve introducción a lo que presentarían; unos instantes después la media oscuridad y los sonidos hacían temblar la realidad de los que asistimos.

La nave del auditorio, que seguramente sirvió como capilla o iglesia en tiempos de la célebre poetisa Sor Juana Inés de la Cruz, era perfecta para la ocasión y logró apartar al público de la ciudad, mientras que los audios que escupían las bocinas se dispersaban entre oído y oído, rebotando y resultando en espasmos sonoros de relajación que se deformaban hasta un punto catártico.

Tres improvisaciones sonoras largas, que pasaban cerca de la música electrónica y la interferencia de circuitos eléctricos, conformaron la primera sesión del ciclo que coordina el investigador y compositor Pablo García Valenzuela. El cierre fue genial: dejaron a un lado sus aparatos y cada uno con un instrumento de viento deambuló por el inmueble; con lo que las voces de la flauta, el saxofón, la trompeta y el digierido confundían la atención y la concepción del espacio de los asistentes.

La segunda sesión de “La habitación del ruido” se llevará a cabo el próximo 24 de marzo, con la participación de los artistas sonoros Felipe Otondo, de Chile, y Antony Maubert, de Francia. Y el gran cierre se realizará los días 28 y 30 de abril, con la presencia del alemán Max Alter y la presentación de los ganadores de un concurso interno.

La Universidad del Claustro de Sor Juana se ubica en Izazaga No. 92, Colonia Centro Histórico y la entrada a dichos eventos es totalmente libre.

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