Mutante Festival y las “evoluciones torcidas”

“Alas de Mosca”, en Festival Mutante

“Alas de Mosca”, en Festival Mutante

En busca de reconocimiento para los géneros “mutantes”, muchas veces inclasificables, entre los nuevos sonidos que abundan en la ciudad de México, el pasado sábado 10 de septiembre se celebró el primer “Mutante Festival” organizado por Davidkontra Encefalisis en el Museo Británico Americano en México, ubicado en el cruce de la calles Artículo 123 y Bucarelli.

Los géneros Breaks, Industrial, Power electronics, Drum noise, Dark core, Gabber, Grime, Ruido binario, performance y el trabajo de V’J se fusionaron en las antiquísimas ruinas de un museo que fue iglesia, recinto que bautizó a los ritmos como “hibridas evoluciones torcidas”.

“Se fallaría –sino en todos los géneros, en la mayoría–, los intentos por encasillar, aunque muchas veces estas combinaciones son completamente intencionales por parte de los autores. Lo que hacemos nosotros es improvisación real, ‘stream of consciousness’, liberación del inconsciente. Alexándra es una genio del supercollider, yo trato de ser lo más analógico posible, aportando el factor humano, como la voz, aunque sí llego a usar algún secuenciador en vivo”, explicó el promotor cultural, de música experimental, performer y curador Erick Diego, quien junto con Alexándra Cárdenas fundó el proyecto Alas de Mosca, “inspirado en el modelo de pantimedias Ala de Mosca y en la Cría de Alimento vivo”.

Para el también director de “Galería interferenciales”, espacio dedicado al arte efímero en la Ciudad de México, Alas de Mosca es un proyecto sonoro ausente de ensayos: “sólo nos plantamos en el escenario y vamos río abajo en el flujo de ideas espontáneas”.

Fue así que, agrupaciones como ATM (Dubstep, Grime / Fix), CS (Industrial, Metalcore / Binaria), ENCEFALISIS (Breaks, mutant hardcore / Binaria, Fix), GNOMO (Idm breakcore / Interzonas Inc. Incordia), JUANJOSE RIVAS (Bents improv / Volta, Dorkbot ), MARKCORE (Hardcore gabber / Gabbermex), OGO (Ruido binario, Industrial / Binaria), PHUNK (breakcore / Interzonas Inc. Incordia), POLONIO210 (Power electronics, breaks / No reply) y SFX (Rythmic noise, darkcore/ dj army) se encargaron de musicalizar la primera edición de Mutante Festival en la Ciudad de México.

Por su parte, en el rubro visual, pudo apreciarse la labor de los V’js BALA (Knm crew), ELL (Fosfeno), MYSOS (Fosfeno), DESOLLADO (Hydrogeno), SUCK.ME (Betabelle) y KARIBOLSA, quienes inundaron las cabezas de las decenas de personas que se congregaron en un antiguo templo religioso, no para escuchar cánticos bíblicos ni apreciar imágenes santificadoras, sino con el firme propósito de experimentar las más osadas propuestas de “evoluciones torcidas”.

“El ruido de Juan José Rivas le dio un lado humano al circuitbending y Davidkontra, es puro caos”, en donde la arquitectura del lugar se modificó con la música, “por ejemplo para lograr esos ecos en las iglesias hubo que hacer que parecieran insectos gigantes”, dijo el líder del proyecto multidimensional Texto Sin Revista, en el que se invita a artistas de todo el mundo para generar temáticas en los espacios públicos en los días de 7-7-7 a 12-12-12.

Sin embargo, la falta de público y la ineptitud de los seudovigilantes encargados del acceso al Museo, resaltaron las carencias de un proyecto nuevo, por lo que “la constancia y el trabajo” parecen erguirse como única vía posible para el enriquecimiento de este primer intento, importante caldo de cultivo de una parte de la escena musical experimental de esta “ciudad monstro”.


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