Otra vuelta a la tuerca, darle…

EDUARDO SUÁREZ |

Ciudad de México.- Una institutriz es contratada para cuidar a dos infantes en una enorme mansión que guarda secretos y misterios laberínticos lejos de la ciudad. El tío de los pequeños exige nunca ser molestado para aceptarla como educadora, mientras el viento fúnebre canta. El miedo y la pérdida de la inocencia serán presa de entes fantasmales durante la puesta en escena Otra vuelta a la tuerca, que, bajo la dirección de Mauricio Jiménez, se presenta en el en el Foro Sor Juana Inés de la Cruz del Centro Cultural Universitario.

La obra, inspirada en la afamada novela gótica escrita por Henry James, amante del enigma y los fantasmas, retoma el libreto realizado por el dramaturgo estadounidense Jeffrey Hatcher; en él se propone la presencia de sólo dos actores. La traducción al español fue realizada por Federico Campbell.

El escenario es un llano casi vacío que alimenta la imaginación del público. Las luces dan volumen a la atmósfera, que por momentos, se colma de incertidumbre, miedo o ternura. El vestuario de cinco personajes interpretados por dos exquisitos actores nos remite a la época victoriana.

La mente del espectador va hilvanando las piezas de la historia. Un sillón dorado yace en el lado derecho, dónde la institutriz piensa una decisión que cambiará el rumbo de su vida: tomar o no el empleo de tutora en una remota casa llena de misterio.

Diferente a otras de sus obras adaptadas al teatro, en Otra vuelta de tuerca James roza con la genialidad skakespearana gracias a sus largos diálogos descriptivos y psicológicos de lo abstracto, lo fantasmal, lo secreto… El suspenso de la trama asciende al estilo Otelo. La aborrecible realidad parece incierta ante la posible existencia del mundo de los muertos.

La moral en pugna con la sexualidad perversa, el bien y el mal, la mojigatería contra los deseos de la institutriz con el tío de los niños se ven plasmados durante una trama en donde Flora y Mateo son poseídos por dos almas que se amaron en vida y que ocupan los cuerpos infantiles para hacer el amor…

Las sublimes actuaciones de Diana Fidelia —institutriz— y Tomás Rojas —quien de tío de los niños se convierte en la ama de llaves, para después interpretar al niño inquieto y perverso de diez años— mantuvieron al espectador en suspenso durante una hora con cuarenta y cinco minutos. Dándole otra vuelta a la tuerca y no intentando cerrar la polisemia de la obra con abusos freudianos, acerca de si los fantasmas fueron creados por la mente de la institutriz o si manifestaban la romántica ilusión de la existencia de mundo paralelos al nuestro… está obra de James provocará un ejercicio imaginario en el público, tan necesario en estos tiempos.

El equipo de creativos, realizadores y asistentes lo conforman: Fernando Flores, escenografía e iluminación; Cristina Sauza, diseño de vestuario; Leopoldo Novoa, música; Rodolfo Guillén, asistente de dirección; Johanna Bravo, asistente técnico; Mario Álvarez, Gonzalo Torres, Carlos García, Alejandro Zavala, Armando Barragán, realización de escenografía; Yesenia Olvera y Sastre Maldonado, realización de vestuario; Asunción Ramírez “Chon”, pintura escénica.

Otra vuelta de tuerca, bajo la dirección de Mauricio Jiménez, se presenta hasta el 6 de octubre en el Foro Sor Juana Inés de la Cruz del Centro Cultural Universitario todos los jueves y viernes a las 20:00 horas, los sábados a las 19:00 horas y los domingos a las 18:00 horas.

| RMM | ES | @eduardo_surez |

Fotografía por Eduardo Suarez

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