Periódicos, empresas con intereses: Rafael Reig

Rafael Reig

Rafael Reig

Los medios de comunicación, en especial los periódicos, son empresas con intereses, y en ellos lo de menos es la cultura. Con dicho postulado el escritor, ensayista y crítico literario Rafael Reig comenzó su discurso durante la conferencia que ofreció a manera de clausura en el II Coloquio Hispanoamericano de Periodismo Cultural, espacio que aprovechó para declarar: “Somos un pie de foto y la foto depende de quién paga. La gente que hace periódicos lo hace para ganar dinero”.

“El periodismo cultural es imposible salvo que se tomen riesgos, entre otros, el de equivocarnos, el de no tener razón. Me parece totalitario hablar en nombre del sentido común, porque hacerlo es pretender callar a los demás; hace falta un poco de insensatez para que la cultura en los periódicos recupere vitalidad”, indicó el autor de la novela Todo está perdonado, en el Foro General “Federico García Lorca”, durante el cierre de este coloquio, que inició el pasado 19 de octubre en el marco de la Décimo Primera Feria Internacional del Libro en el Zócalo (FILZ).

“Vivimos una época de literatura chatarra y contra esto tenemos que rebelarnos; es muy malo engordar pero es peor la obesidad moral, tener papada en el alma. Es preciso que leas un poco de toda la pirámide alimenticia, hay que leer libros que no te gustan así como hay que comer verduras. Creo en la dietética, pero en la dietética moral e intelectual. Todos los días hay que tomar un whisky y leer un poco de poesía y de los clásicos”, remató el columnista de literatura del suplemento ABC Cultural.

El narrador español fue acompañado por Edgar Hernández, editor de la sección cultural Expresiones de diario Excélsior y uno de los organizadores del encuentro.

“Es muy complicado manejar la cultura en términos económicos como ‘rentabilidad’, ‘sustentabilidad’, de “valor”, ya que es demasiado pretensioso, no hay forma de traducirlo en términos cuantitativos… el valor que tiene es en esa posibilidad de la cultura de generar un medio de percepción diferente, novedoso a la realidad contemporánea. No es lo mismo generar información de la infraestructura cultural, de la creación artística, con un fin estético”, declaró Hernández en entrevista telefónica para MilMesetas.

En relación con el problema de la crítica literaria, el periodista sentenció: “está muy mal escrita, aburre a las ovejas y, creo, está inevitablemente mal escrita a propósito. Los críticos escriben premeditadamente mal porque tienen dos narcóticos: la previsibilidad y la pretensión de objetividad.”

Al terminar la ponencia, Elena Cepeda de León, secretaria de cultura capitalina, ofrendó un reconocimiento tanto al columnista español como al periodista mexicano, por haber impulsado la realización del coloquio.

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