Sidereus Nuncius: la ciencia se viste de danza

Delfos Danza Contemporándea Sidereus Nucius Festival Internacional Música y Escena Sala Miguel Covarrubias

Delfos Danza Contemporándea Sidereus Nucius Festival Internacional Música y Escena Sala Miguel Covarrubias

En la historia occidental, Sidereus Nuncius, de Galileo Galilei, es considerado como el primer reporte científico basado en observaciones astronómicas y con ese texto devino el colapso de la teoría geocéntrica. El espacio sideral, más allá de la luna, dejó de ser perfecto.

A cuatro siglos de su publicación, la compañía Delfos Danza Contemporánea sorprende con el montaje interdisciplinario del mismo nombre, que en castellano significa “Mensajero Sideral”. Coproducción México-Francia que tras un año de preparativos, incluye música original, danza, escenificación, poesía, video y manipulación sonora.

Claudia Lavista, codirectora, coreógrafa y bailarina de Delfos, nos invita a la contemplación: “Poder salir y ver una noche estrellada y sorprendernos”, comentó al finalizar el ensayo general, el pasado viernes 4 de septiembre. Y en efecto, el espectáculo impone, denota un trabajo riguroso en la concepción de una idea en la que intervinieron una suma de visiones.

En Sidereus Nuncius la ciencia se viste de danza. La “poética escénica” rebaza los límites de la interpretación y construye nuevas atmósferas:

Sobre el amplio escenario de la Sala Miguel Covarrubias podemos ver el surgimiento de la vida con movimientos suaves y eróticos; bailarines que flotan y se aman, pues de uno se han hecho dos. Las escenas siguen; son aleatorias y se envuelven en un ambiente cósmico de tonalidades celestes.

Arriba el escenario tiene su cielo. Esferas cristalinas que simbolizan la cosmovisión aristotélica de los astros: “lo supralunar es inmutable”. Abajo, la danza del renacimiento: científicos que buscan el alma de un cadáver. “Abrir, descubrir para poder reorganizar”, comenta Claudia Lavista. Incluso pareciera que estamos en una escena similar a lo que pintó Rembrandt en “La lección de anatomía del Doctor Tulp”.
El discurso, compuesto de 12 escenas, es claramente cronológico y no se detiene en los debates religiosos que Galileo tuvo en su momento. Al contrario, lo sostiene como punta de lanza de la evolución del pensamiento científico contemporáneo. Por lo que la era digital inevitablemente se hace presente en una sincronía de imágenes en movimiento proyectadas sobre pantallas circulares. Luego, el cielo deja de ser perfecto y queda al alcance del hombre. Hermosas esferas que ahora representan el caos y que al parecer nos dicen, “todos somos mensajeros siderales”.

Festival Internacional Música y Escena

Con esta obra concluyó el Festival Internacional Música y Escena 2009, celebrado en la ciudad de México entre el 21 de agosto y el 6 de septiembre (Escrutinio, No. 32). Sin duda cerró con broche de oro en el Festival.

Según Ana Lara, directora del Festival, “La idea de invitar a Delfos es bajo la idea de que hubiera intercambio multidisciplinario, donde la música forma parte del espectáculo espacial. Es un resumen de lo que quiere hacer Música y Escena este y muchos años más.”

Concebida como encargo del Festival Internacional Música y Escena y del Festival Internacional Cervantino, Sidereus Nuncius reúne a un gran número de artistas consolidados en su respectiva especialidad.

La música y efectos sonoros que envolvieron a la Sala Miguel Covarrubias se escucharon por primera vez en México gracias al compositor Javier Torres Maldonado, creador de la partitura, egresado del Conservatorio Nacional de Música en México y actual profesor del Conservatorio de Milán.

La imponente escenografía y diseño de vestuario son idea original de Eloise Kazan. Ella estudió artes plásticas en México y en Inglaterra. Además ha trabajado con Delfos en “La consagración de la primavera” y “Cuando los disfraces se cuelgan”. Ambas producciones recibieron excelentes críticas.

Mario Villa es el responsable del diseño y realización de video. Impactantes imágenes que al proyectarse crean una sensación tridimensional sobre superficies planas. Su trabajo lo ha llevado desde México, hasta el imperio del sol naciente. Los textos líricos cantados en Sidereus Nuncius son originales de José Manuel Recillas, poeta, ensayista, crítico literario, traductor y editor.

Hermosas percusiones en vivo acompañan a la creación escénica de los artistas antes mencionados. Se trata de la china Yi-Ping Yang, y los mexicanos Ricardo Gallardo y Raúl Tudón.

Delfos Danza Contemporánea, según la crítica de danza Rosario Manzanos, “se encuentra en las primeras líneas de la danza contemporánea en México y Latinoamérica”. Fue fundada en 1992 por Claudia Lavista y Víctor Manuel Ruíz, quienes en ese mismo año recibieron el Premio Nacional de Danza. Múltiples reconocimientos de gran importancia han sido para Delfos desde entonces.

Con Sidereus Nuncius, seguramente Delfos se consolide como punto de referencia de la danza contemporánea, pues el trabajo conceptual con el que se maneja seguramente es envidiado por más de una compañía de danza. Habrá que estar pendiente de la crítica especializada.

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