Stabat Mater

Utilizando escasos elementos escenográficos y valiéndose primordialmente de estambre de colores, Stabat Mater de Humberto Leyva lleva a escena el conflicto emocional de una familia que ha sufrido una ruptura irreparable, llegando a cambiar sus propias realidades.

Dirigido por David Jiménez Sánchez, el montaje que estrena temporada en el Foro La Gruta del Centro Cultural Helénico, relata la forma en que Paula y Carmela enfrentan la desaparición de Daniel, hijo y hermano respectivamente, la cual vendrá a reconfigurar sus realidades.

La puesta en escena logra llevar al espectador a través de una serie de emociones que van de la risa a la nostalgia, intercalando en cada escena tintes humorísticos y dramáticos, incluso números musicales con fondos sonorizados que interrumpen y contrastan con la situación que acontece.

A decir de Jiménez Sánchez, este recurso permite que el discurso de la obra transcurra de mejor manera, busca crear diferentes líneas emotivas para que el mensaje “se vuelva más fluido” y no resulte cansado para el público, ya que, considera, tendemos a “escuchar más” cuando no “se ve venir” lo que va a suceder.

Para ello, afirmó, el recurso de jugar con las tonalidades emotivas en cada escena contribuye a que el mensaje propuesto en el texto de Humberto Leyva llegue de forma más “directa” a quien lo recibe.

A ello también aporta el espacio escénico del Foro La Gruta, pues al permitir la cercanía con el público hace que los actores puedan mirar de frente a los asistentes, propiciando que estos se involucren con los pensamientos de cada uno de los personajes.

Al respecto, el director de origen jalisciense explicó a MilMesetas que desde el inicio se buscó que el peso dramático recayera exclusivamente en el trabajo actoral de Marilú García Luna, Adriana Montes de Oca, Norma Mora, Gerardo Miranda y Paola Torres Rico.

Por ello no se vale de recursos escenográficos ni utilería —acaso una silla y un teléfono—, en su lugar se emplean hilos de colores con los que los actores delimitan los espacios en que ocurre la acción. De acuerdo con Jiménez, el uso de este material parte de la noción de que en la vida siempre existe “algo que se teje y se desteje” de forma constante.

Todo ello abona a crear un espectáculo dinámico, en el que la anécdota fluye con naturalidad en una escena que el director califica como “fácil de mover” y que al mismo tiempo “da el foco” completamente al actor, que es el responsable de transmitir el cúmulo de emociones impresas en la historia, permitiendo crear una serie de “textos, diálogos y energías muy frontales hacía el público” para “potenciar” el texto.

Cabe apuntar que el título de la obra alude a una secuencia de un himno gregoriano, originario del siglo XIII, en el que se aborda el sufrimiento de María durante la crucifixión de Jesucristo: stabat mater dolorosa (“estaba la madre sufriendo”). María, arquetipo de madre dolorida, tal como Paula ahora ante la ausencia de su hijo.

Stabat Mater se presentará todos los miércoles a las 20:30 horas hasta el 10 de julio, en el Foro La Gruta del Centro Cultural Helénico, ubicado en Avenida Revolución 1500, Colonia Guadalupe Inn, Delegación Álvaro Obregón. El costo por localidad es de $150 pesos.

| RMM | EZ | @ere_cuevas |

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