Tin tan en Buenavista

tintan

Por Roberto Cruz Núñez

CIUDAD DE MÉXICO. 11 de noviembre.- En punto de las 7:30 de la noche, los usuarios de la gigantesca Biblioteca Vasconcelos, situada en la antigua estación de trenes de Buenavista, abandonan las salas de lectura y comienzan a congregarse en la planta baja del inmueble, donde se da paso entre los asistentes un pintoresco grupo de hombres en distintivos uniformes coloridos: saco largo de solapas anchas, zapatos de charol, coronados con sombrero de ala corta y pluma de pavo real. El desfile de pachucos marca el inicio de la conmemoración al aclamado cómico del cine de oro mexicano, Germán Valdés “Tin Tan”, a 37 años de su fallecimiento.

Con apoyo del Consejo Nacional para la Cultura y las Artes, la Biblioteca Vasconcelos exhibirá, desde el viernes 12 de noviembre y hasta el próximo 11 de enero, una colección de 139 piezas relativas a la vida y obra del “pachuco de oro”: fotografías, carteles de películas y objetos personales varios -entre los que destacan un traje original de pachuco, identificaciones personales como la “green card”, fotografías familiares y de infancia con sus hermanos los cómicos Ramón y Manuel “El loco” Valdés, contratos, manuscritos y hasta fragmentos de una larga colección numismática.

Asimismo, la exposición contará con un ciclo cinematográfico, a ser proyectado en el auditorio del inmueble, que incluirá ocho de las mejores películas del ilustre actor, entre ellas: “La marca del Zorrillo” y “Calabacitas tiernas”.

Después de la inauguración encabezada por la hija de Tin Tan, Rosalía Valdés Julián, la noche del jueves se proyectó el documental de Francesco Taboada Tabone “Tin Tan” (México, 2010), que incluye el testimonio de personajes que famosamente convivieron con el fallecido histrión: Tongolele, Silvia Pinal, Ana Luis Peluffo, Zamorita, entre otros.

Paradójicamente, los herederos del aclamado artista han elegido para albergar tan bien recibido homenaje la sede que lleva el nombre del filósofo (José Vasconcelos) que en los años cincuenta más famosamente se opuso al “pochismo lingüístico” del cómico que Monsiváis llamara “el primer mexicano del siglo XXI”.
Roberto Cruz Núñez.

RL

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