Volta 5: sesiones de improvisación sonora…


Éste ciclo de improvisaciones y experimentación sonoras nos presenta en su 5ta sesión a:


Cuando estudié dibujo aprendí un método para dibujar los espacios vacíos, al reconocerlos me resultó más fácil definir los contornos de los objetos a dibujar; son formas que no simbolizan nada pero están ahí. El sonido de una estática o el ruido blanco llamado “gis” que escuchamos en alguna grabación es también un tipo de espacio vacío, ligeros ruidos un tanto ignorados por nuestra mente que sólo reconoce signos o símbolos.

Lo especial del sintetizador análogo en sus primeros años de vida fueron sus sonidos que hasta entonces eran desconocidos, inmediatamente fueron asociados la moderna era espacial, el progreso tecnológico y otros temas relacionados.
En estos tiempos hacer música con sintetizador permaneciendo en una ligera frontera entre la nada y algo que no se puede asociar a algo concreto es un reto, y lograrlo es el gozo de escuchar algo que se encuentra en esa frontera de nuestro mundo físico y lo desconocido, apreciar “la nada” en sus distintas formas. Para mi presentación en volta 05, he preparado un set totalmente analogo (sintetizadores y pedales de efectos) para generar una atmosfera de ruidos y sonidos sutiles.


De formación autodidacta en el saxofón, se inicia profesionalmente como saxofonista en 1984 con el Cuarteto Mexicano de Jazz. Posteriormente se traslada a la ciudad de New York y continúa sus estudios de composición e improvisación en el Creative Music Studio con Anthony Braxton, George Lewis, Roscoe Mitchell y Don Cherry. Estudia la licenciatura en jazz en la Escuela Superior de Música (ESM – UNAM) de 1982 a 1987. En 1988 viaja a Paris, en donde fortalece su desarrollo musical tomando clases magistrales con el compositor y saxofonista Steve Lacy.

Actualmente forma parte del ensamble Antimateria, Cráneo de Jade & FAS Trío; colabora a dúo con Gabriel Lauber y dirige su propio trío: Remi Álvarez Trío. Ha tocado en vivo con músicos como Jean Carla Rodea, Gerald Cleaver, Joachim Badenhorst, Ingebrigt Håker Flaten, Sabir Mateen, William Parker, Hamid Drake, Joe Morris, Mark Dresser, Cooper-Moore, Elliott Levin, Rodrigo Amado, Dennis, Stefan y Aarón González, Ernest Dawkins, Vinz Vonlanthen, Michael Vatcher, Tayeb Laoufi y los Gnawa Spirit de Marruecos. Se ha presentado en vivo y ha realizado grabaciones con la Camerata de las Américas.


El Dúo Juum, integrado por Gabriela Villa (viola y textos) y Hugo Solís (almas de piano y electrónica), es un dúo experimental electroacústico. El dúo surgió como un espacio para la exploración de nuevas sonoridades y nuevos métodos de interacción entre los dos ejecutantes y los medios digitales. El nombre Juum que en maya significa ruido da la dirección estética al dúo que ha tocado en Italia, México, Gran Bretaña, Estados Unidos y Japón desde su fundación en Barcelona España a principios del 2006. Ahí, el dúo produjo el disco La nave de los locos pensado como una travesía por los caminos subjetivos de los viajes oníricos. En 2007 produjo Vértice como una experiencia audiovisual. En 2008 produjo Conjuro de la Memoria basada en un poema original extendida con pianos muertos.


Museo Británico Americano en México.Artículo 123 #134 Col. Centro, casi esquina con Bucareli. (Cerca del Metro Hidalgo o Metro Juárez)

Cooperación voluntaria decente


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